钱钟书《中国诗与中国画》初稿版的发现与版本研究

Discovery of the First Edition and Comparison of Editionsof Chinese Poetry and Chinese Painting by Qian Zhongshu

以钱钟书《中国诗与中国画》初稿版的发现为契机,开展其版本之比较研究。该文凡六版,五易其稿。自初稿至终稿,时间上跨越了半个世纪,写作和修订可分三个时期。早期形成的初稿以英文写作,与其他近现代学人一起,开启诗画关系研究新阶段;中期中文版问世,受滕固激发并与其呼应,亦与《谈艺录》相互参见;后期中文版修订与《管锥编》写作并行,二者美学与哲学思想亦互通。自初稿至终稿,打通新旧中西的初衷一以贯之,融汇学科门类的意识递次增进,议论分析愈见注重事物相反相成之关系。版本的递次修改,彰显个人学术之精进,也受时代风气和思想潮流的影响。

Based on the discovery of the first edition of Chinese Poetry and Chinese Painting by Qian Zhongshu,a comparative study among all the editions of the paper is carried out.There are six editions of the paper revised five times over half a century.The first draft finished in 1935 while the same topic as the paper were discussed among modern scholars around the period.The mid-term revisions were inspired by Teng Gu,and cross-referenced with Tan Yi Lu by Qian.The final draft in the later period was written in parallel with Guan Zhui Bian by the same author,and the aesthetic and philosophical thoughts of the two works were also interlinked.From the first draft to the final draft,the reconciling is consistent between the old and the new Chinese cultures,and between Chinese and Western cultures,the disciplines of humanities studies are integrated,and the discussion and analysis pay more attention to the dialectical relationship between things.The successive revision of the six editions shows academic progress of the author,which is also influenced by the academic atmosphere and the ideological trend the times.