《乐府杂录》中的音乐批评初探

Music Criticism in the Yuefu Zalu

段安节基于自己“耳目所接”的经验开展音乐批评实践的体悟非常重要。毕竟音乐是听觉的艺术,不通过这个核心的、基本的“耳道”的批评,都是“不靠谱”的批评。基于这种立场,对于《乐府杂录》所载的内容分为:“歌”乐批评、“舞工”批评、乐器批评、作品批评四类展开陈述。

Duan Anjie’s insight into the practice of music criticism,based on his own experience of"what the ear and eye receives",is very important.After all,music is an art of listening,and any criticism that does not pass through this central and fundamental"ear canal"is"unreliable"criticism.As such,this article divides Yuefu Zaluinto four sections to discuss:criticism of song,dance,musical instruments,and works.