当代语境下重读SANAA的透明性

Rethinking SANAA’s Transparency in the Contemporary Context

文章从20世纪早期乔治·凯普关于空间位置关系的透明性理论、20世纪60年代柯林·罗关于物理透明性和现象透明性的论述到数字时代比特丽斯·科伦米提出解读透明性的新媒体视角,将对SANAA作品的透明性置于不同物质空间、时代语境、理论流派和技术发展的尺度中进行反思,将其作为一种感知方法激发更多空间设计和解读的可能性。

The paper starts from Gyorgy Kepes’ transparency theory of spatial locations in the early 20 th century and Colin Rowe’s argument about literal transparency and phenomenal transparency in the 1960 s, to Beatriz Colomina’s perspective of new media to understand the transparency in the digital era, in order to rethink the transparency of SANAA under different scales of various physical spaces, contexts, theories and technologies, making transparency become an analytical method to stimulate more possibility of spatial design and reading.