曾侯乙墓鸳鸯盒乐舞的美学思考

Aesthetic Thinking on the Picture of Hitting the Bell and the Picture of Drum Dance on the Yuanyang Box Unearthed from the Tomb of Marquis Yi of Zeng

本文主要从美学的角度对鸳鸯盒上的乐舞进行研究。文章认为鸳鸯盒乐舞体现出“尽善”“尽美”“天人合一”的美学底蕴。舞师(曾侯乙)身佩长剑享“金奏”舞《人舞》符合礼制规定,体现“尽善”。钟音、磬音“和而不同”,金石之音与建鼓“和而不同”,诗、乐、舞“和而不同”;巫乐舞“虚实相生”,体现“尽美”。鸳鸯盒乐舞实现了人与祖先神、天体神的沟通,人与鬼神和谐相处,体现“天人合一”。

This paper mainly studies the music and dance on the mandarin duck box from the aesthetic point of view.The paper holds that the music and dance of mandarin duck box embodies the aesthetic connotation of"being as good as possible","being as beautiful as possible"and"the unity of man and nature".The dancer(Zeng Hou Yi)was wearing a long sword and enjoying the"golden playing"dance.The Ren wu conforms to the rules of etiquette and reflects the"doing good"."Harmony without uniformity"is the sound of bell and chime,"harmony without uniformity"is the sound of stone and stone,"harmony without uniformity"is the sound of drum,and"harmony without uniformity"is the sound of poetry,music and dance.Sorcery music and dance"virtual reality",embodies the"beauty".Mandarin duck box music and dance realized the communication between human and the gods of ancestors and celestial bodies,and the harmony between human and the gods of ghosts and spirits reflected the"unity of heaven and man".