文化融合视角下云南红河地区的土司家具研究--以清末民初思陀、纳楼、瓦渣土司府为视域

On Chieftain Furniture in Honghe Area from the Perspective of Cultural Integration--Mainly Take Situo Nalou and Wazha Chieftain’s Mansion as the Visual Field

文章选取民族构成复杂、文化多元、土司历史遗迹较多的云南红河地区为观察点,考察整理了典型的土司家具。调查发现,现存土司家具均为清末与民国时期的遗存,其除了具有鲜明的地方民族特色,还有普遍的汉文化特点,同时还受到西方文化和近现代工业文明的影响。这种多元交融艺术表象的形成,是由于长期以来当地少数民族文化的互嵌、汉族人口的迁入、中央政府与地方精英的密切交流,以及近代以来西方势力的渗透所造成的。

The author selects Honghe area, which has complex ethnic composition, multi culture and many historical remains of chieftain system, to sort out the typical chieftain furniture. It is found that the existing chieftain furniture is the remains of the late Qing Dynasty and the Republic of China. It has not only distinctive local ethnic characteristics, but also common Han cultural characteristics, and is also influenced by western culture and modern industrial civilization. The formation of the artistic representation of multi blending is due to the mutual embeddedness of local minority cultures, the migration of Han population, the close communication between the central government and local elites, and the infiltration of Western forces since modern times.