标题音乐引发的争论——浪漫主义视野下的“诗乐合一”

Controversy Over the Program Music:“Unity of Portry and Music”from the Perspective of Romanticism

文章从浪漫主义审美观的视角切入标题音乐领域,对标题音乐产生以来引发的质疑和讨论做深入梳理,重点分析早期标题音乐与李斯特交响诗之间的共同追求与巨大差异。进而指出,标题音乐创作尽管经历了种种困境,但交响诗这一体裁完成了浪漫主义音乐“诗乐合一”的审美使命,使器乐音乐获得了独立自足的艺术品格。

This paper studies the field of title music from the perspective of romantic aesthetics,deeply combs the doubts and discussions caused by program music since its emergence,and focuses on the common ideal and great differences between early program music and Liszt"s symphonic poems.Furthermore,the paper points out that although the title music creation has experienced various difficulties,the genre of symphonic poetry has completed the aesthetic mission of the"unity of poetry and music"of romantic music,and made the instrumental music obtain an independent and self-sufficient artistic character.