摘要
中国画在美术现代转型的历史浪潮中几经变革,却往往也会在变革程度超出中国文化所能承受的限度时,呈现出对传统画学的资源重识与价值重建。这种由变革与复返相互穿插构成的"往复形态"凸显出中国画变革中的稳定性现象。本文结合中国画在现代转型语境下的具体举措与思想阐发,从以"通变"思想为表征的互系思维、以整体文化特性为基底的稳定结构、以"笔墨精神"为核心的语言特性3个角度对这一现象试作探析。
Despite several changes in the historical wave of the modern transition of the Chinese art,Chinese painting often manifest resource re-recognition and value reconstruction of traditional paintings as long as the changes are beyond the tolerance range of the Chinese culture.Such a form of interspersing reforms and regression highlights the stability of Chinese painting in the changing process.Based on specific measures and thoughts of Chinese painting in the modern transformation,this paper analyzes the phenomenon from three perspectives:the correlative thinking represented by the idea of"general changes",the stable structure based on the overall cultural characteristics,and the language characteristics with the"brush ink spirit"as the core.
出处
《美术》
CSSCI
北大核心
2021年第10期6-10,20,共6页
Art Magazine
关键词
中国画
传统画学
现代变革
稳定性
Chinese painting
traditional theory of painting
modern reform
stalibity