徐峥“囧”系列电影中女性角色的“囧”境

Female Characters in Xu Zheng’s“Jiong”Films

徐峥作为演员出演《人在囧途》电影后,开始以导演身份创造《人再囧途之泰囧》《港囧》《囧妈》等“囧”系列电影。从该系列第一部电影开始,女性角色在电影当中的比重呈现出一种越来越大的趋势,这一趋势反映在演员的选择、角色戏份的多少以及在整部影片叙事当中的作用甚至片名的确定,《囧妈》作为该系列最后一部电影将主角切换到一对母子之间,探讨家庭关系中的“控制式”母爱,将女性角色的作用发挥到最大化。

After starring in“Lost on Journey,”Xu zheng began producing“Lost in Thailand,”“Lost in Hong Kong”and“Lost In Mom”as a director.Since the series of the first film,the proportion of female characters in the movie presents an increasing trend,this trend is reflected in the choice of actors,roles,number of the scenes as well as in the film narrative role even the determination of the title“sorry mom”as the series of the final film will lead to switch to a pair of mother and son,Explore the“controlling”maternal love in family relations,and maximize the role of women.