乡村振兴视阈下非遗湘西苗画的图像考察

Image Investigation of Xiangxi Miao Paintings in the Intangible Cultural Heritage from the Perspective of Rural Rejuvenation

山川大河、日月星辰一类的自然物象构成了湘西苗画图像千年不缀的母题和灵魂,动物形象的拟人化表现让我们窥见了大量隐喻在其中的原始宗教崇拜。湘西苗画的图像实为多维原始宗教崇拜混合而产生的艺术表达形式,其中既蕴含地域巫教精神的特性,又隐含着苗人思乡念祖和祖先崇拜的历史情感。在乡村振兴的背景下,面对湘西苗画艺术存在的诸多问题,如何将苗画图像作为社会文本,深入分析其背后隐藏的文化内涵以及精神特性是研究的关键。研究发现,苗画艺术来源于生活的提炼,是民族审美意识的反映。

Natural objects such as mountains,rivers,sun,moon and stars constitute the motif and soul of the Xiangxi Miao painting images that have not been affixed for thousands of years.The anthropomorphic expression of animal images gives us a glimpse of the primitive religious worship in which a large number of metaphors are included.The images of Xiangxi Miao paintings are actually a form of artistic expression produced by a mixture of multi-dimensional primitive religious worship,which not only contains the characteristics of the spirit of regional sorcery,but also implies the historical emotion of the Miao people’s homesickness and ancestor worship.In the context of rural revitalization,facing the many problems in the art of Miao painting in Xiangxi,how to use Miao painting images as social texts and analyze the hidden cultural connotations and spiritual characteristics behind it are the key to the study.Research has found that the art of Miao painting comes from the refinement of life and is a reflection of the national aesthetic consciousness.