中心的丧失与跨媒介艺术史书写的可能性

The Loss of Center and the Possibility of Intermedia Art History Writing

黑格尔主义把历史视为经验事实和先验理念的结合,是神圣的精神在时空中的逻辑展开。受到黑格尔主义的影响,赛德尔迈尔把艺术媒介的分立视为现代人的精神症候——中心的丧失,它意味着上帝之死、艺术的非人化和整合艺术品的解体。与之不同,格林伯格则把艺术媒介的分立视为现代艺术追求艺术纯粹性的进程。在媒介融合的时代,跨媒介艺术史旨在以艺术跨媒介性的目光重写艺术与艺术观念的历史。

Hegelianism regards history as a combination of empirical facts and transcendental ideas,and is the logical expansion of the sacred spirit in time and space.Under the influence of Hegelianism,Hans Sedlmayr regarded the separation of art media as a mental symptom of modern people:the loss of the center.It means the death of God,the dehumanization of art,and the disintegration of integrated artworks.In contrast,Greenberg regards the separation of art media as the process of modern art’s pursuit of artistic purity.In the era of media convergence,Intermedia art history aims to rewrite the history of art and artistic concepts with the vision of art intermediality.