苹果的苹果性——D.H.劳伦斯笔下的塞尚及其对跨媒介研究的启示

Appleyness of Apple--D.H.Lawrence’s Opinion on Cezanne and Enlightenment on Intermedial Studies

在劳伦斯眼中塞尚最重要的成就是画出了苹果的苹果性,展示了苹果自身的独特属性。他从绘画和文学的双重视角阐发了塞尚作品的独特性在于对西方文化中的理性传统的反叛的观点。劳伦斯对塞尚作品中的本能与直觉的重视并不是现象学式的哲学沉思,而是一种以生命本能对抗理性传统的生命政治学。绘画所带来的生命的愉悦是对这个理性传统超越语言的反抗,其意义和价值需要长于思考的文学建立起来的批判话语才能充分展现。这种分析方式对于跨媒介艺术理论研究的启示在于提醒研究者以不同门类艺术的感性体验为基础,探究不同门类艺术之间的互补性,进而把跨媒介研究引向文化政治领域。

D.H.Lawrence considers that the most important achievement of Cezanne is he can paint the“appleyness of apple”,which represents the unique nature of the apple.Lawrence demonstrates that the uniqueness of Cezanne’s works lies in his rebellion against the rational tradition of western culture from both pictorial and literary prospects.His emphasis on the instinct and intuition in Cezanne’s works is a kind of biopolitics out of instinct against rational tradition rather than philosophical reflection in a phenomenological way.The joviality for life provided by paintings is a rebellion against the fact that rational tradition is beyond language,the meaning and value of which would only be embodied adequately with the application of critical discourse established by literature featuring thinking.The enlightenment of this mode of analysis on intermedial theory studies is to remind the scholars to take perceptual experience of different types of art as basis to explore the complementation among them so as to introduce intermedial studies to the field of cultural politics.