底层“悲喜剧”电影的叙事逻辑研究

Study of narrative logic of lower class“tragicomedy”films

新世纪以来,底层喜剧电影在商业化潮流下飞速发展并呈现出多元态势。一些电影作品将悲剧性元素融入底层喜剧类型,生发出“悲喜剧”电影的审美形态。通过结合喜剧类型与悲剧内核,底层“悲喜剧”电影以“悲喜交杂”的艺术形态丰富了对底层群体的塑造,利用影像化的表达,底层“悲喜剧”电影对现实社会的多面性与生活的复杂性加以展现,映射底层的现实并引发观众的“共情”心理。本文基于对底层“悲喜剧”电影叙事逻辑的研究,探析底层电影如何实现对“以笑写哀”的底层“悲喜剧”电影的审美形态的建构及与观众形成情感联动,并对底层“悲喜剧”电影的审美效果进行探讨与反思。

Since the beginning of the 21st century,lower class comedy films have developed rapidly with the influence of commercialization and have taken a pluralistic trend.Some films incorporate tragic elements into the comedy genre,giving rise to the aesthetic form of“tragicomedy”films.Combining the form of comedy and the core of tragedy,lower class“tragicomedy”films have enriched the characterization method of the lower class group with the artistic form of“tragicomedy”.Using video-based expressions,the lower class“tragicomedy”films manage to present the multi-faceted nature of the society and the complexity of life,mirroring the lower class reality and arousing the audience’s“empathy”.Based on the study of the narrative logic of the lower class“tragicomedy”films,this paper explores the method of constructing the aesthetic form of“presenting sorrow through laughter”of the lower class“tragicomedy”and the strategy of constructing emotional interaction with the audience.Finally we discuss and reflect the aesthetic effect of the“tragicomedy”films.