摘要
早在本雅明的作品中,已经出现了日常生活审美化的因素,技术的发展导致“灵晕”的流逝,改变了社会和个体的视觉习惯。对审美对象的外在形式的观看取代了记忆的地位,事性的隐退和物性的凸显改变了原有的物我关系,进入纯粹形式的静观之中。视觉受到物的形式的刺激暂时得到解放,最终结果是理性对感性的收编,视觉审美自成体系,遮蔽了现实。新时期以来,日常生活审美化问题在国内产生巨大影响,我们试图通过对本雅明视觉思想的分析,为日常生活审美化问题提供有益的借鉴。
As early as in Benjamin’s works,the factors of Aestheticization of Everyday Life appeared.The development of technology leads to the passing of aura and changes the visual habits of society and individuals.Observation of the external form of aesthetic objects replaces the position of memory.The retreat of eventuality and the prominence of materiality changes the original subject-object relationship and enters the contemplation of pure form.The vision is temporarily liberated by the stimulus of the object’s form,and the final result is the restriction of the rational to the sensibility.Visual aesthetic obscures reality by its own system.Since the new period,Aestheticization of Everyday Life has had a huge impact in China.We try to analyze Benjamin’s visual thoughts to provide a useful reference for the Aestheticization of Everyday Life.
作者
刘泽昊
LIU Ze-hao(Center for Literary Theory and Aesthetics,Shandong University,Jinan 250100)
出处
《阴山学刊》
2021年第5期59-64,共6页
Yinshan Academic Journal
关键词
本雅明
视觉思想
日常生活审美化
感性
理性
Benjamin
visual thoughts
Aestheticization of Everyday Life
sensibility
rational