明代古琴的髹漆工艺和样式研究

RESEARCH ON PAINTING CRAFT AND MODEL OF GUQIN IN MING DYNASTY

明朝是古琴发展的极盛时期,因古琴受帝王的喜爱,宗室和民间的斫琴之风盛行,现存的传世古琴中,明琴所占的比例最多,在样式上对比前代更加复杂。文章着重阐述了明代古琴的髹漆工艺及样式。以期在传承传统技艺的同时,对现代古琴的制作提供一定的借鉴。

The Ming Dynasty was the peak period of the development of Guqin.Guqin was favored by emperors and was popular among royal clans and folk.Among the existing Guqin handed down from generation to generation,Ming Qin accounted for the largest proportion and its style was more complex than that of the previous dynasties.This paper focuses on the painting techniques and styles of Guqin in Ming Dynasty.In the hope of inheriting the traditional craft at the same time to provide a certain theoretical basis for the production of modern Guqin.