摘要
"衣线绣"是传统鲁绣的别称,因其所采用的双捻合股绣线粗壮似衣线而得名。由于粗壮的绣线多与坚牢的绣底质料搭配,选用艳丽的色彩,表现工整朴厚的图案,传统鲁绣因此不同于平薄细真、色彩细润的顾绣等"南绣",成为苍劲厚朴、民间特色浓郁的"北绣"代表。从我国各知名绣种普遍"铺针细于毫芒"的趋势及历程看,传统鲁绣作为"衣线绣"稳固传承,反映了传统工艺的地域特色及其所依托的社会历史文化基础;由此,亦可进一步理解自然生态及社会政治、经济、文化等对传统工艺的塑造作用。
Lu Embroidery is also called Embroidery with sewing thread because the thread is as thick as the sewing thread.And the thick thread always coordinates with the sturdy cloth.The color is very bright.The design has strong visual sense.So,Lu embroidery is different from the Southern Embroidery and became the representative of Northern Embroidery.Although the trend of Chinese embroidery is to be refined,Lu Embroidery has kept the style of using thick thread for more than 2,000 years.The material of traditional craft reflects the local social politics,economics,culture,and aesthetic factors.Thus,we can also further understand the role of natural ecology,social politics,economy,and culture,etc.on the formation of traditional crafts.
出处
《艺术设计研究》
CSSCI
2021年第5期39-42,32,共5页
Art & Design Research
基金
国家社科基金艺术学重大项目《中华传统造物艺术体系与设计文献研究》(编号:19ZD22)子课题“传统造物艺术审美研究”的阶段性成果。
关键词
传统工艺
审美
刺绣
衣线绣
traditional craft
aesthetics
embroidery
embroidery with sewing thread