摘要
宋代是中国古代陈设艺术的转型期,这一转型具有显著的"文人化"特质。宋代陈设艺术的"文人化"转型主要体现在三个层面:一是总体的陈设格局超越了唐代陈设艺术的混杂化和多元化状态,呈现出更为精细的礼制化色彩;二是审美取向从唐代的贵族化转为文人雅致化;三是艺术风格从华美转为素朴。宋代陈设艺术文人化转型的内在动因,一方面,在于唐代多元并存的文化生态不复存在,取而代之的是汉文化本位化的复归;另一方面,来自文人对自我与天下关系的再确认。
The Song Dynasty was a period of transformation of ancient Chinese furnishing art,and there is a remarkable characteristic of"literatization"in the transformation.The transformation of"literatization"of the furnishing art in Song Dynasty is mainly reflected in three levels:firstly,the overall furnishing pattern transcends the mixed and diversified pattern of the furnishing in Tang Dynasty,which presents the refined and ritual characteristics;secondly,it is transformed from aristocraticization to literati elegance;thirdly,it is transformed from gorgeous to simple in artistic style.The internal motivation for the transformation of the art of furnishings in Song Dynasty lied in the diverse and coexisting cultural ecology in Tang Dynasty ceased to exist,and which was replaced by the return of the Han culture.On the other hand,it lied in the literati’s reconfirmation of the relationship between self and the world.
作者
喻颖
魏勇
Yu Ying;Wei Yong
出处
《艺术设计研究》
CSSCI
2021年第5期84-89,95,共7页
Art & Design Research
基金
国家社科基金艺术学一般项目“北宋起居范式与室内陈设造物设计研究”(项目编号:17BG133)的阶段性成果。
关键词
宋代
陈设艺术
文人化
转型
the Song Dynasty
furnishing art
literatization
transformation