“本色论”批评的洞见与不见——以李白诗歌为中心的考察

The Insight and Blindness of "Theory of Prototype" Criticism——An Investigation Centered on Li Bai’s Poems

"本色论"是中国传统文学批评中的一个重要范畴。"本色论"批评在把握文体本质以及作家主要创作特征方面有其独到之处。然而对于"非本色"的文学创作,"本色论"批评往往采用批判态度。但纵观整个文学史的发展,我们应当考虑到,正是大量的"非本色"创作丰富了文学的多样性,启发了文学的创造性。李白的"非本色"诗歌发掘了诗歌物色描写的无限可能性,对于晚唐诗歌的诗境开拓具有一定的启发作用。

"Theory of Prototype"is a important category in traditional Chinese Literary Criticism."Theory of Prototype"criticism is insightful in grasping the essence of literary form and discovering the author’s main creative characteristics.However,for "non-essential" literary creations, "Theory of Prototype" criticism often adopts a critical attitude.But observing the development of the entire history of literature, we should consider that it is a large number of "non-essential" creations that have enriched the diversity of literature and inspired the creativity of literature.Li Bai’s "non prototype" poetry explores the infinite possibility of poetry description, which has a certain inspiration for the development of poetry in the late Tang Dynasty.