摘要
观念艺术是在对现代艺术的追问中产生的,具有深度的历史原因和复杂的社会背景。观念主义思潮对建筑领域的影响体现在"观念",极大地拓展了设计思考维度,具有批判式创新的意义;观念主义的非物质化也存在着一些局限性。该文从审美和演化的角度分析了观念主义在启发思维的同时无法脱离建筑的美学属性及技术属性的客观事实。
The concept art is produced in the inquiry of modern art, which has deep historical reasons and complex social background. The influence of the ideological trend of conceptualism on the field of architecture is reflected in "concepts", which greatly expands the thinking dimension of design and has the significance of critical innovation. On the other hand, the demmaterialization of conceptualism has some limitations. From the perspective of aesthetics and evolution, we analyze the objective fact that conceptualism cannot be separated from the aesthetic and technical attributes of architecture while inspiring thinking.
出处
《华中建筑》
2021年第11期17-21,共5页
Huazhong Architecture
关键词
观念
观念主义
现代性
非物质化
审美
建筑工程技术
Concept
Conceptualism
Modernity
Dematerialization
Aesthetics
Architectural engineering technology