文学家武田泰淳的中国侠女情结

Literary Writer Taijun Takeda's Chinese Chivalrous Complex

武田泰淳既是日本近现代文学史上与中国存在千丝万缕联系的文学家,也是战后日本文坛涌现的著名“战后派”小说家之一。他的文学作品题材广泛、体裁多样,他的文学思想大多与侵华战争和中国认知息息相关。本文以其1939年创作的中国题材、战争题材小说《庐州风景》为切入点,联系在特殊时期发生于武田与民国女作家谢冰莹之间的“谢冰莹事件”,深度剖析和透视武田泰淳文学中“小杨”姑娘、谢冰莹、秋瑾、十三妹等中国女性形象塑造的文学艺术风格,解构武田泰淳中国侠女情结的中国认知、战争认知模式,探索这位“中国派”小说家中国侠女情结的文学价值和现实意义。

Taijun Takeda is not only a writer who is inextricably linked with China in the history of modern Japanese literature,but also one of the famous“post-war”novelists who emerged in the Japanese literary world after the war.His literary creation has a wide range of subjects and genres,and most of his literary thoughts are closely related to the war of aggression against China and Chinese cognition.This paper is based on the Chinese and war-themed novel Luzhou Scenery that he created in 1939 as an entry point.The“Xie Bingying Incident”that occurred in a special period between Takeda and the female writer Xie Bingying of the Republic of China,This paper takes in-depth analysis and perspective of the literary and artistic styles of Chinese women such as“Xiao Yang”,Xie Bingying,Qiu Jin,and Shisanmei in Takeda Taijun's literature.This paper deconstructs the Chinese cognition and war cognition model of Taijun Takeda's Chinese chivalrous complex,and explores the literary value and practical significance of this“Chinese school”novelist's Chinese chivalrous complex.