摘要
黑格尔所生活的18世纪后期正值古典学者温克尔曼所开创的以希腊艺术为典范的新人文主义在德国引发巨大热潮并影响整个德国思想文化领域的时期。这一"希腊化"的追求,不仅形成了黑格尔美学的基本特色,也成为他反现代性的主要策略。古典艺术史观不仅是黑格尔美学的核心与基础,也最为彻底地贯彻了温克尔曼的古典理想。黑格尔不仅是哲学、美学、辩证法大家,也是古典语文学家。正是凭借温克尔曼及众多古典学者的相关研究,使得黑格尔不仅成为德国古典哲学、美学的集大成者,也对之后的古典研究产生深远影响。
Hegel lived in the late 18th century when Neo humanism created by classical scholar Winckelmann by taking Greek art as a model triggers a great upsurge in Germany and affects the whole field of German thought and culture.This pursuit of"hellenization"not only forms the basic characteristics of Hegel’s aesthetics,but also becomes his main strategy of anti-modernity.The view of classical art history is not only the core and foundation of Hegel’s aesthetics,but also the most thorough implementation of Winckelmann’s classical ideal.It is with his achievements on his study on Winckelmann and many classical scholars that Hegel,who is not only a master of philosophy,aesthetics and dialectics,but also a classical philologist,makes himself not only a master of German classical philosophy and aesthetics but also have a far-reaching impact on later classical research.
出处
《上海文化》
CSSCI
2021年第10期31-36,127,共7页
Shanghai Culture
基金
陕西省社会科学基金项目“黑格尔美学的中国接受史研究”(项目号:2021H009)的阶段性研究成果。