西方艺术观念与东方哲学的碰撞

The Collision Between Western Artistic Concepts and Eastern Philosophy

本文探讨"一般美学与当代德国研究路径"和"中国美学与艺术"的关系。作者在艺术家的实践基础上结合艺术史和艺术哲学的有关知识,讲述了过去几年中与中国和日本艺术相遇的经历,以立体主义的认识维度为出发点,提出了对美国艺术家贾斯珀·约翰斯(Jasper Johns)的总体评价,并对他的重要作品《无题》(Untitled)进行分析,进一步聚焦当代社会的一个关键主题:可持续性。中国当代艺术的状况激发了作者提出这一思考。

This paper discusses the relationship between"general aesthetics and contemporary German research"and"Chinese aesthetics and art".Based on artists’practice and combined with relevant art history and its philosophy,the author writes about the encountering between Chinese and Japanese art in the past few years by taking the cognitive dimension of Cubism as the starting point.The author also makes an overall evaluation of American artist Jasper Johns,and analyzes his important work Untitled,further focusing on a key theme of contemporary society:sustainability.Chinese contemporary art inspires the author to put forward this thinking.