论王安忆笔下的中国与西方

On China and the West in Wang Anyi’s Writings

王安忆从80年代开始的西方游历使她拥有了开阔的世界视野,游历经验内化为她的情感结构和审美体验,影响她文学创作演变的历程。通过文本中叙述人的西方游历视角,王安忆建构出自己独特的西方书写方式。《向西,向西,向南》以游僧式的环游乌托邦为都市中产阶级造梦,在西方游历传奇中书写中国日常。《一把刀,千个字》着墨于"庶民的乡愁",用原乡生活为法拉盛编年。而西方书写遭遇的不同文明间的差异与冲突,体现在王安忆90年代的文本中。用文学表达的方式面向普罗大众,在东方文化与西方文化之间进行一种"总体性"叙事,是我们对王安忆西方书写图景走向历史与时代纵深的更新期待。

Wang Anyi’s traveling in the west since the 1980s has given her a broad world vision.The travel experience is internalized into her emotional structure and aesthetic experience,which affects the evolution of her literary creation.Through the western travel perspective of the narrator in the text,Wang Anyi constructs her own unique western writing style.This article carefully reads two recent western writings by Wang Anyi and discovers that Westward,Westward and Southward uses a travel-monk-style utopia to create a dream for the urban middle class,and writes Chinese daily life in the legend of Western travel;A Knife and A Thousand Words focuses on"The Homesickness of the Common People"which chronicles Flushing with hometown life.However,the differences and conflicts between different civilizations in western writing are reflected in Wang Anyi’s texts in the 1990s.Facing the general public in the way of literary expression,and carrying out a"total"narrative between eastern and western culture,are our greater expectation for Wang Anyi’s western writing vision to move towards the depth of history and the times.