戏剧表演训练方法的融合与创新——“三元”理论的构建问题研究

Integration and Innovation of Drama Performance Training Methods:Research on the Construction of"Ternary"Theory

戏剧表演方式的多样化促成了表演训练方法的思维革新。以“斯坦尼斯拉夫斯基”表演体系为基础,借鉴“铃木忠志身体训练法”,有意识地选择表演训练中的重点内容,对演员存在的突出问题深入分析,总结出关于“反应与刺激”“控制与平衡”“再现与表现”的“三元”理论,试图探索当代戏剧表演训练方法的更多可能性。

The diversity of drama performance mode promotes the thinking innovation of performance training method.Based on Stanislavsky′s performance system and Suzuki′s body training method,this paper consciously chooses the key contents of performance training,deeply analyzes the outstanding problems of actors,sums up"Ternary"theory of"reaction and stimulation","control and balance"and"representation and performance",and tries to explore more possibilities of the training methods of contemporary drama performance.