漆艺随想

Thoughts on lacquer art

漆器工艺在历史的不同时期有不同的技艺和形式,研究的核心不是技术和形式而是文化。历史告诉我们漆艺脱离现实生活,明显不适应新时代的发展。在现代社会环境中,漆器工艺发展需要分析其特质,择向而定,而摆顺精致型和创意型的评判关系,则在于新思维新创造。本文通过列举漆艺实例来阐述观点,用新理念重构漆艺形态,展现时代新文化。首先树立现代设计理念立意,将器物、纹图和物象三者相互关联融合,增加活态的文化新意,并赋予质感和灵性及作者的情感意念,使漆器具有文学意味和丰富的文化内涵,从而使其承载时代印记,揭示人性真谛,让创新的漆艺增添时代风彩。

Lacquer craft has different skills and forms in different periods of history. It is found that the core of inheritance is not technology and form, but culture. History tells us that if lacquer art is divorced from real life it obviously does not adapt to the new era of development. In the modern social environment, the development of lacquerware technology needs to analyze its characteristics and choose the direction. The judgment relationship between the exquisite type and the creative type lies in new thinking and new creation. This paper enumerates the examples of lacquer art, expounds the viewpoints, reconstructs the lacquer art form with new ideas, and shows the new culture of the times. First of all, the modern design concept should be set up, and the objects, patterns and images should be combined to increase the living cultural novelty, endow the texture, spirituality and the author’s emotional ideas, so that the works can be associated with a kind of literary description, enrich the cultural connotation and spirituality, generate ideological attraction, carry the mark of the times and the true meaning of human nature, and add the color of the times to the innovative lacquer art.