摘要
在四川羌族聚居地区,长期以来形成了多种形态的羌族戏剧,包括作为祭祀戏剧的释比戏、花灯戏和脱离了祭祀活动的羌戏。厘清羌戏与释比戏的不同概念、属性、范畴,全面了解羌族戏剧多元并存的形态,有利于正确认识羌族戏剧的时代特征与文化价值。
In the area of Qiang people in Sichuan Province,various Qiang dramas have developed,including religious Shibi drama and Huadeng drama,and other Qiang drama which is detached from religious activities.To analyze the different concepts,characteristics and genres of Qiang drama and Shibi drama,as well as to understand the co-existence styles of Qiang drama,is important to understand correctly the characteristics of times and cultural values of Qiang drama.
作者
杜建华
王屹飞
Du Jianhua;Wang Yifei(College of Movie and Media,Sichuan Normal University,Chengdu,Sichuan,610066)
出处
《民族艺术研究》
CSSCI
2021年第5期127-133,共7页
Ethnic Art Studies
基金
2019年国家社科基金社科学术社团资助项目“中国戏曲文化现状调研”(项目批准号:20STA048)的阶段性研究成果。
关键词
羌族戏剧
释比戏
羌戏
花灯戏
多元形态
Qiang drama
Shibi drama
Qiang opera
Huaden opera
diverse forms