摘要
舞蹈的伴随文本指那些伴随在舞蹈作品周围、舞蹈作品之后,但却积极参与舞蹈作品意义生成、明显影响舞蹈意义解释的各种社会文化因素。从伴随文本的特性来看,舞蹈从创作到表演,再到观众的欣赏过程都受到伴随文本的普遍“控制”。如:舞蹈的赋义过程中,副文本、型文本、前文本、同时文本或显或隐地参与着舞蹈作品的意义构筑;表演过程是演员将具体表现形态及其携带着的伴随文本展现在观众面前的过程;释义过程中,评论文本、链文本、先文本会参与进舞蹈作品的意义解释,观众的解释活动也是对赋义过程伴随文本的反向接收与检验。所以,一部舞蹈作品最终展现在观众面前,就会有各种伴随文本的参与,它们与舞蹈作品相互交织融合,共同构建起舞蹈作品的意义世界。
The co-text of dance refers to various social and cultural elements that accompany and after the dance works,meanwhile,co-text also actively participates in generation of the meaning of dance works and influences the interpretation of the meaning of dance.From the perspective of the characteristics of co-text,the process of creation,performance to audience appreciation of dance is generally"controlled"by co-text.In the process of the making of meaning of dance,para-text,archi-text,pre-text and synchro-text participate in the construction of the meaning of dance work either explicitly or implicitly.The performance process is the process in which actors present the specific performance form and co-text directly to audience.In the process of interpretation,Commenting text,link-text and pre-text will participate in the meaning interpretation of dance.Audience’s appreciation activity is also a reverse reception and inspection of the co-text of interpretation.Therefore,when a dance work is finally displayed in front of audience,there will be various co-texts involved,which are intertwined and converged with dance work to construct the meaning world of dance.
作者
袁杰雄
Yuan Jiexiong(College of Literature and Journalism,Sichuan University,Chengdu,Sichuan,610041;Institute of Semiotics-Media Studies,Sichuan University,Chengdu,Sichuan,610041;School of Arts,Hunan University of Science and Technology)
出处
《民族艺术研究》
CSSCI
2021年第5期134-143,共10页
Ethnic Art Studies
基金
国家社会科学基金重大项目“当代艺术提出的重要美学问题研究”(项目批准号:20ZD049)的阶段性研究成果。