舞蹈形态分析方法的中国探索

Chinese Exploration of Morphological Analytical Method of Dance

舞蹈形态分析是舞蹈研究的核心方法,也是舞蹈学成为现代学科的标志之一。舞蹈形态分析方法的中国探索历经七十余载,主要包括舞蹈研究和舞蹈实践两大类型。吴晓邦的人体自然运动法是中国第一个舞蹈形态分析方法。以舞蹈研究为目的的舞蹈形态分析方法在20世纪80年代以后方兴未艾,相继形成了定位法舞谱、舞蹈生态学、动态切入法和舞蹈形态学等。基于舞蹈实践生成的形态分析方法主要有元素教学法和舞蹈语言学等。舞蹈形态分析方法的中国探索形成了“民族”“科学”“本体”“体系”四个传统,呈现出本土自生与外来引入共在的局面。当前,学科自信不足、延续性研究匮乏、学科推进乏力等问题,都提示我们需要重新关注舞蹈形态分析方法,推动舞蹈基础理论发展,使舞蹈学中国学派有更加坚实的学科方法基础。

Morphological analysis of dance is the core method of dance research,and it is also one of the symbols of dance studies as a modern discipline.The Chinese exploration of morphological analysis of dance has gone through more than 70 years,mainly including two types of dance research and dance practice.Natural human movement method,which was proposed by Wu Xiaobang,is the first morphological analysis of dance in China.Morphological analysis of dance has been popular since the 1980 s and has successively formed the fixed-position gymnastic terms,dance ecology,dynamic cut-in method,and dance morphology.Morphological analysis of dance based on dance practice mainly includes element teaching method and dance linguistics.The Chinese exploration of morphological analysis of dance has formed four traditions of"ethnic","science","ontology"and"system",presenting the coexistence of local spontaneity and foreign introduction.At present,the lack of self-confidence in disciplines,the lack of continuity research,and the lack of strength in discipline advancement all remind us that we need to reconsider morphological analysis of dance,to promote the development of dance basic theories so as to give the Chinese school of dance a more solid disciplinary method basis.