“意法同原”:黄文焕《楚辞听直》篇目次序与得失

The Same Meaning and Method as the Original:Gains and Losses of Chu Ci Ting Zhi by Huang Wen-huan in the Order of Chapters

黄文焕《楚辞听直》仅选屈赋作注,篇目次序遵从“意法同原”的原则,即行文章法结构与情感精神抒发皆切近屈原,与众楚辞注本殊异。黄氏之尚“法”,揭示了屈原赋作的章法意脉法度,无论字法、句法安排之精巧,抑或字句反复、情感反复的“复”法之运用,均凸显屈赋文法之工巧。黄氏之尚“意”,阐发了屈赋为文之精神,力排前人对其“过于中庸”“露才扬己”的解读,彰明了屈原“忠情”之“正意”。注本首次明确将屈原生平与选篇序次联系起来,奠定了明季至清代注重考据屈原生平及流徙历程的基调,对后世注屈产生了深远影响。

Huang Wenhuan’s 《Chuci Tingzhi》 only selected Qu Yuan’s songs to comment.The principle of its order is‘the literary context and structure are the same as Qu Yuan’.Which means the the art of composition and the emotional expression of the songs are same with Qu Yuan.It is different from other annotations.Huang Wenhuan’s composition shows the songs of Qu Yuan have a reasonable structure.At the same time,it use the method of‘复’,Shows the beauty of songs.Huang Wenhuan’s‘意’shows the full emotion of Qu Yuan.Some scholars said Qu Yuan is moderation,and others said he is fond of showing off.But Huang Wenhuan struggle against these kind of views.He said Qu Yuan is very loyal.The annotation relate the Qu Yuan’s life with the order of the Chuci the fist time.It has have a far-reaching influence on the investigation of Qu Yuan.