摘要
作为地方戏剧,漳州布袋木偶戏的研究重在历史探源、舞台艺术、"非遗"传承三方面。历史探源重在发展脉络的梳理与时间的考辨,戏曲艺术涉及脚色、道具、唱腔、舞美和表演体系五方面的探讨,"非遗"传承重点对比了过去单一、当下多元的传承传播路径,而剧目内容、剧本形式、舞台设计、剧团变迁、戏曲美学的研究仍留存空白。
As a local drama, the research of Zhangzhou Glove Puppet Show focuses on three aspects: historical exploration, stage art and inheritance of the intangible cultural heritage. Historical exploration centers on its development and origin;opera art oncharacter, props, singing, stage and performance system;intangible heritage on the comparison of dissemination and inheritance approaches between the single in the past and the diversified at present. And in terms of content, form, stage design and troupe change, there still exists much room for research.
出处
《闽台文化研究》
2021年第3期101-107,共7页
Fujian-Taiwan Cultural Research
关键词
漳州布袋木偶戏
历史探源
戏曲艺术
“非遗”传承
Zhangzhou Glove Puppet Show
historical exploration
opera art
inheritance of intangible cultural heri-tage