二十世纪初在西方音乐冲击下中日两国传统音乐的抉择之路——以刘天华、宫城道雄为例

The Way forward for Traditional Chinese and Japanese Music under the Impact of Western Music in the Early 20^(th) Century--Take Liu Tianhua and Miyagi Michio for example

二十世纪初期在西方音乐的冲击下,中日两国传统音乐的继续发展不得不面临各种选择与抉择。刘天华和宫城道雄正是中日两国传统音乐改革先锋派的代表人物,其改革模式对于两国传统音乐的发展起到了“风向标”般的指导作用。二人在乐器、作曲和教学等方面的具体改革内容究竟是怎样的,其核心改革观念是如何形成的,又对之后的传统音乐发展产生了怎样的影响?此为该研究的核心问题。

In the early twentieth century,under the impact of Western music,Chinese and Japanese traditional music faced different development choices.Liu Tianhua and Miyagi Michio were the representative pioneers of the reformation of traditional music in China and Japan respectively.Their reformation models served as a“bellwether”for the later development of traditional music in both countries.In this context,the study focuses on the following questions:what were contained in their reformation in terms of musical instruments,composition,and music teaching;how were the core concepts of their reformation formed;and what were the impacts of their reformation on the subsequent development of traditional music.