摘要
在20世纪音乐中,随着新的音乐“时间”秩序的建立与完善,相关现代节奏理论的构建也显得更为迫切和现实。文章以中国当代钢琴音乐文献中的节奏现象为例,从多个视角对复杂节奏形态进行系统梳理与归类,探及节奏的力学观与色彩性层面,提出节奏的悬浮运动、多向性运动、节拍瞬间转换、核心节奏群等见解。同时,对现代节奏语汇的技术应用进行剖析与理性思考。
In the music of the 20th century,with the establishment and improvement of the new musical“time”order,the construction of relevant modern rhythm theories has become more urgent and realistic.Taking the rhythm phenomenon in contemporary Chinese piano music literature as an example,this paper systematically sorts out and classifies complex rhythm patterns from multiple perspectives,explores the mechanics and“color”of rhythm,and proposes floating movement,multi-directional tempo,instant beat transitions,and core rhythm groups.Moreover,it analyzes the technical application of modern rhythm vocabulary based on its writer’s rational thinking about it.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2021年第2期78-97,156,166,共22页
Huangzhong:Journal of Wuhan Conservatory of Music
基金
2011北京市教育委员会社科计划面上项目“中国当代钢琴创作研究”(项目编号:SM201110046003)的成果
