摘要
为响应国家十四五规划乡村振兴战略,从大众誉为吴冠中笔下“最美江南”的东梓关村新农居设计中汲取经验,为保护传统村落和乡村风貌找寻有效方法。文章从跨领域的视角出发,对吴冠中绘画作品的艺术特色进行探讨。以东梓关村新农居设计为例,运用田野调查、观察、内容分析等方法挖掘东梓关村新农居设计中对吴冠中绘画艺术的借鉴并进行分析,探索出两者的对话。文章在建筑设计对绘画艺术的借鉴上做了一次有意义的探索,并为未来新农居设计的发展提供了参考。
In response to the national 14th Five-Year Plan rural revitalization strategy,from the popular reputation of Wu Guanzhong's"most beautiful Jiangnan"in the design of new agricultural housing in Dongyuguancun,to find effective ways to protect traditional villages and rural style.From the perspective of cross-field,this paper discusses the artistic characteristics of Wu Guanzhong's paintings.Taking the design of new agricultural residence in Dongguancun as an example,the methods of field investigation,observation and content analysis are used to excavate the reference and analysis of Wu Guanzhong's painting art in the design of new agricultural residence in Dongguancun.The dialogue between the two is explored.This paper makes a meaningful exploration on the reference of architectural design to painting art,and provides a reference for the development of new rural residential design in the future.
出处
《设计》
2021年第21期28-31,共4页
Design
基金
澳门基金会资助研究项目(MF2037)。
关键词
吴冠中艺术特色
现代建筑
东梓关
新农居设计
乡村振兴
Artistic features of Wuguanzhong
Modern architecture
Dongziguan
New rural housing design rural vitalization