美学视域下中国花腔作品之解读

An Aesthetics Analysis of Chinese Coloratura Works

花腔在中国的发展已近一个世纪,是集时代性、民族性、艺术性于一体的中华文化艺术载体。中国花腔作品的界定是否应有新的视角和归类方式,如何合理运用美学范畴内关于音色、字韵表现的美学原则以及表演心理和接受审美等要素来探寻花腔作品的文化性、思想性、民族性都是值得深思和探讨的问题。这些问题的探讨与解决对中国花腔作品演唱教学理论体系的完善及弘扬中华民族文化之美有着积极的意义。

Coloratura has been developing in China for nearly a century.It is a carrier of Chinese culture and art that integrates the characteristics of the times,nationality,and artistry.Whether the definition of Chinese Coloratura works should have a new perspective and classification,and how to properly use the aesthetic principles of timbre,rhyme performance,performance psychology and reception of aesthetics in the aesthetic category to explore the cultural,ideological,and ethnic aspects of Coloratura works are questions worth pondering and exploring.The discussion and resolution of these questions have positive significance for the improvement of the theoretical system of the singing and teaching of Chinese Coloratura works,and is conducive to the inheritance and promotion of the beauty of Chinese national culture through the art of Chinese Coloratura works.