巴洛克时期女高音的声乐演唱特征分析——以亨德尔声乐作品为例

On Singing Characteristics of Soprano in Baroque Period——Taking Handel’s Vocal Music Works as an Example

巴洛克时期的声乐时代演唱特征对音乐的演唱研究有着重要意义,该时代下亨德尔的声乐作品较为经典且具有代表性。在巴洛克时代下形成了新的曲调,使女高音的演唱对比之前时代增添了宁静和甜美。该时期女高音的咏叹调具有优美和戏剧对比的特征,在花腔的演唱中该时期的花腔抒情更加明显,且表现清晰。在对该时期女高音的音部特征分析时发现,该时期的女高音音色对比之前时代更加轻柔、灵活,同时音区范围在不同的歌曲和不同高音位置中各不相同,女高音的旋律样式较多,展示着对不同类型歌曲的表现。

Learning from Handels’vocal music works,it is obvious that the soparano singing in the Barlow era is added quiet and agiltiy,compared to the previous era.The aria of soprano in this period has the characteristics of beauty and dramatic contrast.In the coluratura singing,the coluratura lyric of this period is more obvious and the performance is clear.The soparano timbre is more softer and flexible than before.The melody style of soparnao is also more richer than before because the sound range is different in different songs and different treble positions,which shows that there are different performace of different song types.