摘要
"山水"在中国文化中不仅仅是一种客观的自然物象,某种程度上,它还被赋予了一种具有哲学范畴的"自然"的意义.作为中国传统绘画中最经典的科目,山水画的传承与流变最有序、最有迹可循.在山水画的发展过程中,它自身演绎着一种具有内在逻辑的传承与变化的规律:每个时代之间有着内在的传承与递嬗;而在形式风格上又有着明显的时代特征.从这个层面上说,研习山水画,必须对经典作品进行全方位的研究,既要对作品外在形式进行临摹学习,也要从作品的情感、立意来揣摩画面的一笔一墨是如何体现、表达作者的情感的.
Wang Shaochuan,born in Anqiu,Shandong in 1972,graduated from the Department of Fine Arts,Shandong Normal University in 1994;studied at the Department of Traditional Chinese Painting,China Academy of Art in 1998;graduated and got a master*s degree from the School of Fine Arts,Shandong University of Arts in 2009,where his supervisor was Zhang Zhimin;graduated and got a doctorate in fine arts from the School of Fine Arts,Harbin Normal University in 2020,where his supervisor was Lu Yushun.Now,he teaches at Shandong University of Art&Design.
出处
《走向世界》
2021年第44期86-87,共2页
Openings
