摘要
《云冈石窟11窟五十四人造像题记》铭刻于太和七年(483年),是云冈石窟最早的造像题记和开凿年代较早的民间工程,也是云冈石窟铭文字数最多、载录内容最为翔,实且保存状况相对良好的铭记。该造像题记具有突出的文学艺术价值、史学价值和书法艺术价值,在北魏平城佛教寺塔铭刻书迹史上留下了璀璨的一页。
The Inscription on 54 Statues in Cave 11 of Yungang Grottoes was engraved in the seventh year of Taihe(483).As the earliest inscription of the statue in Yungang Grottoes and an earlier folk project,it was record with the most words,the most detailed contents and its preservation is relatively good.With its outstanding literary and artistic value,historical value and calligraphy artistic value,the inscription of the statue shines splendidly in the history of inscriptions on Buddhist temples and pagodas in Pingcheng,Northern Wei Dynasty.
作者
陈俊堂
CHEN Jun-tang(School of Fine Arts,Shanxi Datong University,Datong Shanxi,037009)
出处
《山西大同大学学报(社会科学版)》
2021年第5期58-62,共5页
Journal of Shanxi Datong University(Social Science Edition)
基金
2020年度山西省哲学社会科学规划课题“文旅强省背景下山西寺观价值研究——以北魏平城佛教寺塔铭刻书迹价值研究为例”(2020YY177)。
关键词
北魏
平城
造像题记
the Northern Wei Dynasty
Pingcheng
statue inscriptions