明代复古诗学与家族之关系——以王世贞家族为考察中心

The Relations between Retro Poetics and Family in the Ming Dynasty:A Case Study on Wang Shi-zhen’s Family

明代后七子复古诗学思想的演进,与王世贞家族的诗学批评呈现出某种正相关性。就诗学论著的创作而言,《艺圃撷余》凝结了王世懋的诗学主张,在继承王世贞《艺苑卮言》诗论创作的基础上,一方面修正了王世贞的复古思想,另一方面也完成了家族诗学体系的构建。就诗歌创作的继承而言,王士骐主动选择了叔父王世懋的自然诗风,而非父亲王世贞的复古诗风,表现出与复古思想的决裂,进一步实现了家族诗学思想的改造与革新。王世贞家族对复古诗学思想的接受,呈现出审慎辩证的动态变化过程,而王世贞对待复古思想的态度,始终与家族的诗学取向桴鼓相应。

The evolution of retro poetic thoughts of the later seven poets(hou-qi-zi)in the Ming Dynasty showed a positive correlation with the poetic criticism of Wang Shi-zhen’s family.From the perspective of poetic theory creation,“Yi-Pu-Xie-Yu”condensed Wang Shi-mao’s poetic views.On the basis of inheriting Wang Shi-zhen’s poetic theory creation of“Yi-Yuan-Zhi-Yan”,it revised Wang Shi-zhen’s retro thoughts;on the other hand,it also completed the construction of the family poetic system.As for the inheritance of poetry composition,Wang Shi-qi selected his uncle’s natural poetry style instead of his father’s retro poetry style and demonstrated a break with retro thinking,further realized the reform and innovation of poetic thoughts of his family.The acceptance of retro poetics of Wang Shi-zhen’s family showed that there was a cautious and dialectical process of dynamic changes and Wang Shi-zhen’s attitude towards retro thinking had always been consistent with the poetic orientation of the family.