摘要
中国当代歌曲创作中有一种在一首歌曲中包含有另一首歌曲的主题音调或歌词的特殊形式——“歌中歌”。其通过引用传统经典,再赋予新的时代精神,表现时代风貌,弘扬主旋律,并以此与党史学习有机融合,更为生动地、有效地诠释党的性质和宗旨,再现党的奋斗历程,赞颂党的辉煌业绩。“歌中歌”通过互为姊妹篇的对比,在歌颂党,歌颂祖国,歌颂领袖,赞颂抗洪、抗震、抗疫中的军民鱼水情,以及歌颂改革开放伟大成就等方面体现了较强的艺术表现力,并形成了若干具有共性的艺术特征。该形式富有十分积极的社会现实意义,也是党史学习的方式路径创新中的一种探索与尝试。
“Song in song”is a way of writing songs in modern China by which the theme tone or lyrics in one song are borrowed by another.The epoch spirit is endowed in the borrowing from classic songs and by combining with the study of CPC’s history,the nature and tenet of the Party are vividly interpreted and the course of CPC’s struggle is re-revealed.“Song in song”forms certain artistic characteristics in singing of the Party,homeland,leader,the profound relation between the army and people during natural disaster fighting and anti-epidemic activities as well as the great achievements made in the reform and opening up.
出处
《音乐探索》
2021年第4期25-36,共12页
Explorations in Music
基金
2016年国家社科基金艺术学一般项目“中国当代流行音乐创作的民族化研究”(16BD051)。