从“造物”到“造境”:手工艺非遗保护的范式转换

From Craft to Art:New Paradigm of Protecting Handicraft as Non-Intangible Cultural Heritage

植根于悠久原生文脉的手工艺是中国优秀传统文化的重要组成部分。在融入全球非物质文化遗产保护的体系与话语的同时,今天我们对传统手工艺的创造性转化和创新性发展,理应聚焦中国特色、贡献中国智慧,突破西学所固有的高雅与民间、艺术与文化等诸多二元对立的拘囿。因此,坚持以问题为导向的跨学科整合研究,首先要厘清“手工艺非遗”的歧义和争议,破解“名与实”“技与艺”等深层的结构性矛盾,通过社会和文化双重意义上的再语境化,实现非遗保护从造物到造境的范式转换。

Folk handicraft is a representative of outstanding traditional Chinese culture.While integrating into the international system and discourse of intangible cultural heritage protection,the transformation and innovation of traditional Chinese handicrafts shall focus on Chinese characteristics and Chinese wisdom and breakthrough the Western binary opposition of"refined and raw"or"art and culture".To make problem-oriented interdisciplinary researches,one should disperse the ambiguity in and controversies over the concept of"non-intangible handicraft",resolve the conflict between"the name and the reality"and"the craft and the art",remodel the social-cultural context,and shift the paradigm of non-intangible cultural heritage protection from"craft"to"art".