东禅西渐:美国城市声音雕塑作品中禅宗思想的解读——以旧金山湾《雾号景观雕塑》为例

From the East to the West:Zen in American Urban Sound Sculpture:Taking Landscape Sculpture with Foghorns in California Bay as an Example

在城市音乐人类学研究视域下,通过剖析社会文化背景中盛行的“禅宗热”艺术思潮、杜尚和凯奇等关键影响人物,以及创作者比尔·丰塔纳的开创性艺术思想,发现声音雕塑作品《雾号景观雕塑》“以环境声为材料”的设计思路、“精简至极”的作品风格和“静心禅乐”的美学境界中包含禅宗“无分别心”“直指人心”“本自具足”等思想精髓。作品通过深度的听觉感知,试图改变人们体验世界的方式。

This article analyzes the Zen Boom in the 1950s'America and creative artistic ideas by its leaders such as Marcel Duchamp,John Cage,and Bill Fontana from the perspective of urban ethnomusicology to explore Landscape Sculpture with Foghorns'design idea of using ambient sound as material,its minimalist style,its Zen aesthetics including"the mind of non-discrimination","achieving enlightenment by seeing one's nature",and"self-sufficiency".The artwork tends to alter the way people experience the world through in-depth auditory perception.