摘要
风景的枯竭,似乎是晚近以来一个明显的趋势。一方面,是文艺复兴以来的风景剧场这个基本范式的日趋消亡;另一方面,则是人类世所展现出的加速滑向末世乃至毁灭的令人焦虑的倾向。针对这两个方面,可以给出两种不同但相关的解决策略:一是回归风景的历史脉络,挖掘出文艺复兴的剧场之中所潜隐的以太和火的物质元素的力量;二是进一步回归物质的深层记忆,以此来展现出异于人类的记忆和历史演变的别样可能。火这个潜在元素的偶发、骤然的爆裂带给我们对于深层记忆的体验强度。本文着重结合对《燃烧》《救火英雄》《古教堂大教援》等电影作品的具体解析来对火的剧场的种种维度进行探索和示范。
The"exhaustion"of the landscape seems to be a recent trend.On the one hand,it means the withering of the paradigm of landscape theater since the Renaissance.On the other hand,it refers to a worrying tendency towards Apocalypse,even extinction,in the Anthropocene.To solve these problems,there are two related strategies.One is to return to the history of landscape and rediscover the power of ether and fire in the Renaissance landscape theater.The other is to return to the deep memories of the material to look for new possibilities different from human memory and history.The random burst of fire brings us intense,deep memories.This article examines movies such as Burning,As the Light Goes Out,Rebuilding Notre-Dame to explore and illustrate the dimensions of the theater of fire.
作者
姜宇辉
JIANG Yuhui(Department of Philosophy,East China Normal University,Shanghai 200062)
出处
《文化艺术研究》
2021年第5期70-84,114,共16页
Studies in Culture and Art
基金
国家社科基金一般项目“当代法国哲学的审美维度研究”(项目编号:17BZ015)的阶段性研究成果。
