摘要
“牛仔”作为西部片中的典型形象,重新出现在好莱坞科幻电影中,变形为一种新的“赛博格牛仔”的形象,“牛仔”作为“形象纽带”在关系学上赋予传统西部片与现代科幻电影以新的意义。拟通过考察“牛仔”形象从传统西部片到现代科幻电影的演变,分析从“西部牛仔”到“赛博格牛仔”的变化中,文化语境与形象赋值的意义变化,尤其是“牛仔”形象所传达出的追求自由的人本主义神话,到了“赛博格牛仔”,又从何角度、立场和文化观反思人本主义的主体性等相关问题。
Cowboy,as a typical image in westerns,reappeared in Hollywood sci-fi movies and transformed into a new image of cyborg cowboy,endowing new significance to traditional westerns and modern sci-fi movies.By investigating the evolution of cowboy image from traditional westerns to modern sci-fi movies,the significance changes of cultural contexts and image assignments were analyzed in the change from“western cowboy”to“cyborg cowboy”,especially the humanism myth of pursuing freedom conveyed through the cowboy image.Regarding“cyborg cowboy”,this paper analyzes how cowboy image reflected on the subjectivity of humanism and other related issues,from which angle,position and cultural view.
作者
李雨赛
赵坤
Li Yusai;Zhao Kun(School of Communication,Qingdao University of Science&Technology,Qingdao,Shandong 266061,China;Qingdao Institute of Humanities and Social Sciences,Shandong University,Qingdao,Shandong 266237,China)
出处
《黑龙江工业学院学报（综合版）》
2021年第9期131-137,共7页
Journal of Heilongjiang University of Technology(Comprehensive Edition)
基金
山东省人文社科项目“1930年代青岛左翼文学活动考略”(项目编号:2020-NDWX-09)的阶段性成果。
