身份焦虑下国产爱情电影的发展现状探析

An analysis of the current situation of domestic romantic films under identity anxiety

电影作为以视听为主且包含其他各门艺术的综合性现代艺术,是当代艺术形式中越来越凸显其社会影响的形式之一。时至今日,国产爱情片的发展历经了一个世纪,其所呈现出来的特征与时代背景和文化价值观念密切相关。在这个个体被孤独和颓丧包围的现代社会,为缓解身份焦虑,大众的审美活动也在不断地被欲望化,这无疑给电影艺术创作带来了一定影响。进入新世纪以来,爱情片随着现代社会越来越严重的身份焦虑而走向"身体消费""同质化表达""中产阶级趣味"等发展趋势。文章试通过分析新世纪以来爱情片中的身体表达、符号化叙述以及"爱情神话"建构等现象的生成逻辑与社会文化成因,反思与批判当下国产爱情电影的发展现状,以期国产爱情电影在未来的发展中朝着多元化表达的方向发展。

Film, a comprehensive modern art which mainly consists of audio-visual and other arts, is one of the forms that increasingly highlight its societal influence in contemporary arts. Up to now, the development of domestic romantic films has gone through a century, with the characteristics closely related to the background of the times and cultural values. In the modern society surrounded by loneliness and decadence, in order to alleviate identity anxiety, aesthetic activities are constantly being desired, which undoubtedly bring certain impacts on film creation. As a kind of genre film, romantic film has been tending towards "body consumption", "homogeneity expression" and "middle class interest" since the new century comes with increasingly serious identity anxiety in modern society. This paper tries to reflect on and criticize the current situation of domestic romantic films by analyzing the logic of body expression, symbolic narration and the construction of "love myth" in romantic films since the beginning of the new century, aiming to expect the domestic romantic films develop towards the direction of diversified expression in the future.