摘要
向培良认为,情绪表现贯穿在戏剧中,从剧作家创作、到演员表演、最后为观众接受,这是情绪主体性表现的完整体系。情绪是经由内心深处的性格而发出的,以动作为中介,直到观众被情绪所感染为终结。情绪的传达是中介,最后趋向于内在的生命力,使得人生获得向升的生命力,可以促成人格和德行的形成,情绪的表现更贯穿着一种教育的功能。
Xiang Peiliang believes that emotional expression runs through the drama,from the playwright’s creation to the actor’s performance,and finally to the audience’s acceptance,which is a complete system of emotional subjectivity performance.Emotions are sent out through the personality deep in the heart,using actions as an intermediary,until the audience is infected by emotions as the end.The transmission of emotion is an intermediary,and finally tends to the internal vitality,which makes life tend to rise.It can promote the formation of personality and morality,and the expression of emotion runs through a function of education.
作者
鄂建华
E Jianhua(College of Arts, Anhui Normal University, Wuhu Anhui 241000, China)
出处
《成都理工大学学报(社会科学版)》
2021年第5期67-72,共6页
Journal of Chengdu University of Technology:Social Sciences
关键词
向培良
戏剧
情绪
生命力
戏剧教育
Xiang Peiliang
drama
emotion
vitality
drama education