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《牵风记》艺术突破与美学建构得失谈--兼与部分溢美之评商榷

On the Artistic Breakthrough and the Gain and Loss of Aesthetic Construction in the Story of Leading the Wind--Discussion with Some Praise Comments
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摘要 《牵风记》艺术突破的主要特征是做减法。其美学上的成功得力于作者尊重小说所要表现的“真实的历史”,尊重由“真实的历史”积淀而来的审美直感,尊重“执正驭奇”的艺术辩证法,尊重自然生命样态的历史尺度。其明显的美学失误则源于未能恰当处理历史、生命、艺术、审美之间的辩证关系;过分刻意于艺术上的突破,破坏了艺术创造应有的“自然”感;未能恰当地确定艺术形象由历史尺度而来的伦理定位,造成形象塑造与人性伦理上的不协调;让艺术形象的生命样态脱离了历史尺度的制约,变成作者生命思考的传声筒。作为一部获得茅盾文学奖的长篇小说,《牵风记》的美学成就有值得借鉴的价值,其美学失误更饱含值得吸取的教训。 The main feature of the artistic breakthrough in the story of Leading the Wind is subtraction.Its aesthetic success is due to the author's respect for the"real history"to be expressed in the novel,the aesthetic directness accumulated from the"real history",the artistic dialectics of"upholding justice and controlling strangeness",and the historical scale of natural life.On the other hand,its obvious aesthetic error stems from the failure to properly deal with the dialectical relationship between history,life,art and aesthetics.Excessive artistic breakthrough destroys the due"natural"sense of artistic creation,fails to properly determine the ethical orientation of artistic image from the historical scale,resulting in the disharmony between image shaping and human ethics,and finally the life form of artistic image is broken away from the constraints of historical scale to make the story a microphone for the author's thinking on life.As a novel that has won Mao Dun Literature Award,its aesthetic achievements are worthy of reference while its aesthetic losses are even more worthy of lessons.
作者 范爱贤 Fan Aixian
出处 《山东理工大学学报(社会科学版)》 2021年第6期50-59,共10页 Journal of Shandong University of Technology(Social Sciences Edition)
关键词 《牵风记》 艺术 历史 生命 审美 Leading the Wind art history life aesthetic
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