摘要
废墟主要是指一种建筑遗存。作为一种视觉图像,广泛存在于绘画、摄影、版画中。而现代陶艺中的"废墟"则是一种物质存在,是由陶艺的"物性"特征所决定的。从艺术语境中"废墟"的表达入手,详细阐述现代陶艺中"废墟"形态的表现方式。它既可以是表现性的写意废墟,也可以是再现性的写实废墟。伴随着城市化进程与跨学科发展,废墟的内涵与外延也在发生改变。因此,它还可以是现成品构建的废墟景观,也可以是融汇行为、多媒体的综合装置。值得注意的是,废墟美学与陶艺的缺陷性肌理、残缺美有着高度契合性。
Ruins mainly refer to architectural remains.As a visual image,they are widely present in paintings,photographs and prints.The"ruins"in modern ceramic arts is a material presence,due to the"physical"characteristics of the ceramic arts.Starting with the expression of"ruins"in the context of art,this paper is aimed to expound in detail the expressions of ruins in modern ceramic arts,which can be either expressive or realistic.With the progress of urbanization and interdisciplinary development,both the connotation and extension of ruins are also being varied.Therefore,ruins can be landscapes consisting of ready-made products or comprehensive installations integrating behaviors and multimedia.It is worth nothing that the aesthetics of ruins is highly congruent with the defective textures and incomplete beauty of ceramic arts.
作者
韩祥翠
HAN Xiangcui(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出处
《陶瓷学报》
CAS
北大核心
2021年第5期891-897,共7页
Journal of Ceramics
基金
湖北师范大学青年教师科研资助项目(HS2020QN020)。
关键词
现代陶艺
废墟
缺陷肌理
现成品
残缺美
modern ceramic art
ruins
defective texture
ready-made
incomplete beauty