摘要
景德镇明代民窑青花写意花鸟构图疏朗、线条飘逸、画面随性、笔墨意韵,装饰风格无拘无束。民间艺人将喜闻乐见的花鸟题材用青花色料自由洒脱地表现在瓷画中,形成了独特的形象语言与艺术风格,使作品既简约意趣又充满浓郁的生活气息。文章从明末景德镇民窑青花写意花鸟的文化内涵、艺术特征来诠释景德镇明代民窑青花写意花鸟的审美情趣。
Late Ming impressionistic blue and white flower-and-bird decorations on Jingdezhen folk wares are characterized by spacious composition,graceful lines,spontaneous strokes and unrestrained styles.Painted on porcelain with traditional cobalt blue pigments by folk craftsmen,these popular flowers and birds take on a unique expression with special artistic style,imbuing the ceramic works with simple feature yet rich vitality.In this paper,the aesthetic taste of blue and white decorations on Jingdezhen folk wares in Ming Dynasty are explored from the view point of their cultural implications and art features.
作者
吴庆文
WU Qingwen(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出处
《陶瓷学报》
CAS
北大核心
2021年第5期898-902,共5页
Journal of Ceramics
基金
江西省社会科学“十三五”(2019)规划项目(19WT20)
景德镇市科技计划项目(20192GYZD008-04)。
关键词
明末
景德镇民窑
青花
写意花鸟
审美情趣
late Ming dynasty
Jingdezhen folk ware
blue and white decoration
bird-and-flower painting
aesthetic taste