理解毛泽东大同观的三重逻辑

Understanding the Triple Logic of Mao Zedong’s View of Great Harmony

毛泽东的大同观是他在推进马克思主义中国化进程中,依据马克思主义的世界观方法论,立足中国革命和社会主义建设的实际,批判继承中国优秀传统文化的结果。从历史逻辑看,毛泽东的大同观存在一个道德理想层面的连续性特质,这一连续性特质成为毛泽东大同观的鲜明特色。从理论逻辑看,毛泽东大同观对传统文化的批判和继承,不论是在理论层面还是在实践层面,都是一种一以贯之的"常态",而绝非孤例。从现实逻辑看,在新时代中国特色社会主义实践进程中,仍然应当批判继承传统大同思想和毛泽东的大同观,继承其中蕴涵的理想主义精神,批判其中的乌托邦成分,在现实物质生产和文化建设的基础上,建构起理想与现实之间的合理张力关系。

Mao Zedong’s view of great harmony is the result of his criticism and inheritance of China’s excellent traditional culture in the process of promoting the sinicization of Marxism,according to the Marxist methodology of world outlook,and based on the reality of Chinese revolution and socialist construction.From the perspective of historical logic,there is a continuity of moral ideal in Mao Zedong’s view of great harmony,which becomes the distinctive feature of Mao Zedong’s view of great harmony.From the perspective of theoretical logic,Mao Zedong’s great harmony thought of criticism and inheritance of traditional culture is a consistent"normal",not an isolated example,both in theory and in practice.From the realistic logic,in the process of the practice of socialism with Chinese characteristics in the new era,we should criticize and inherit the traditional thought of great harmony thought and Mao Zedong’s view of great harmony,inherit the idealistic spirit,criticize the Utopian element,and construct a reasonable tension relationship between ideal and reality on the basis of realistic material production and cultural construction.