摘要
一部优秀的动画电影长片,除了需要拥有吸引观众的故事结构,同时也需要具有深度、引人反省的主题。如果仅仅表现简单且浅显的个人冲突,正如麦基所说的,影片将会沦为浅薄枯燥的肥皂剧集。所以,为了使影片具有深入的主题,我们便需要反派角色。在一些较为简单的剧情中,反派角色单纯作为外界敌对力量的化身。而在一些反派角色得到更好设计的故事中,反派角色会作为主角内心纠葛的外部体现。文章主要对皮克斯动画长片《玩具总动员》中反派角色的设置进行分析,以求具备一定的借鉴意义。
A great animated feature film needs to have a story structure that engages the audience, but it also needs to have a deep, reflective theme. If it were just a simple and superficial personal conflict, as Mackey says, the film would be a shallow and boring soap opera. So, to give the film depth of theme, we need villains. In some of the simpler episodes, the villain character simply serves as the embodiment of an outside hostile force. And in some stories where the villain character gets better designed, the villain character acts as the external embodiment of the protagonist’s internal entanglements. This paper focuses on the setting of the villain character in the released Pixar animated feature film Toy Story line, in order to have some reference.
作者
夏思帆
Xia Sifan(School of art and design,Wuhan University of Technology,Wuhan 430070,China)
