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釉上彩的形成和发展——以粉彩为例

Formation and development of overglaze color——Taking pastel as an example
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摘要 釉上彩是陶瓷装饰的主要装饰技法之一,从最早的宋代磁州窑创烧了釉上红绿彩之后,不断出现了珐华彩、古彩、斗彩、珐琅彩、粉彩、新彩等釉上彩绘形式。釉上彩以颜色丰富,呈色稳定,图案表现力强而著名,始终占据着陶瓷装饰的重要地位。本文从釉上彩中的粉彩发展脉络作为切入点,结合梳理粉彩的表现形式,希望对粉彩的创作起到推动作用。 Overglaze color is one of the main decorative techniques of ceramic decoration.Since the first Cizhou kiln in the Song Dynasty created and burned overglaze red and green color,overglaze color painting forms such as enamel color,ancient color,bucket color,enamel color,Pastel Color and new color have continuously appeared.Overglaze color is famous for its rich color,stable color and strong pattern expression.It always occupies an important position in ceramic decoration.This paper takes the development context of pastel in overglaze color as the starting point,combined with combing the expression forms of pastel,hoping to promote the creation of pastel.
作者 汪凯 Wang Kai(Jingdezhen Mingjian Painting Academy,Jingdezhen,333000)
出处 《陶瓷研究》 2021年第5期134-136,共3页 Ceramic Studies
关键词 釉上彩 绘画 粉彩 装饰 overglaze color Painting Pastel decorate
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